Jazzy Geometry, Cool Quilters - The New York Times

Jazzy Geometry, Cool Quilters - The New York Times

The most ebullient exhibition of the New York art season has arrived at the Whitney Museum in the unlikely guise of a show of hand-stitched quilts from Gee’s Bend, Ala. Gee’s Bend is a remote, historically black community occupying a bulb of bottom land, a U-shaped peninsula five miles across and seven miles long, hemmed in on three sides by the Alabama River. The single road in and out of town was paved only in 1967. That was roughly the time ferry service, the most direct route outside, stopped when whites in Camden, the county seat and nearest city as the crow flies, decided they didn’t appreciate Benders crossing the river to register to vote.

The Missing Tradition - Art in America
May, 1997

Responding to a pair of related exhibitions in Atlanta, one devoted to the recent work of Alabama artist Thornton Dial, the other surveying vernacular African-American artists of the South, the author detects the emergence of a long-overlooked force in American art.

William Arnett's Formative Role as Patron and Collector of African American Art

In 1993, The Michael C. Carlos Museum of Emory University contracted with Dr. Robert Hobbs, holder of The Rhoda Thalheimer Endowed Chair in American Art at Virginia Commonwealth University, to serve as curator of the exhibition “Souls Grown Deep” and editor of the accompanying book, which the museum planned to sponsor for the Cultural Olympiad of the Centennial Olympic in Atlanta in 1996. Dr. Maxwell Anderson, the museum’s director, commissioned Prof. Hobbs to undertake and in-depth study of the field of southern African American vernacular art in preparation for the production of the book and exhibition.