/sites/default/files/AOQ_Ex_header_3.jpg
Museum of Fine Arts, Houston
June 4 – September 4, 2006

Image
Mary Lee Bendolph and Loretta Pettway

In 2002 the inaugural exhibition The Quilts of Gee’s Bend documented the quiltmaking achievements of the African American community of Gee’s Bend, Alabama, a small, isolated African American community in southwest Alabama. Presented at thirteen major museums around the United States, the show prompted an outpouring of popular interest and international critical acclaim. Expanding upon that initial exhibition and its accompanying publications, Gee’s Bend: The Architecture of the Quilt offers a deeper look into the women and their art, and a more focused investigation into the nature and inspirations—and future—of the Gee’s Bend quilt tradition.

Image
Henrietta Pettway, "Housetop" variation, 1930s

Gee's Bend: The Architecture of the Quilt features seventy spectacular quilts made by four generations of women in Gee's Bend. With bold improvisation of traditional quilt motifs, these women have created a style all their own. Made between the 1930s and the present, the Gee's Bend quilts’ bright patterns, inventive color combinations, lively irregularities and unexpected compositional variations make them outstanding examples of modern art.

“ . . . The women of Gee’s Bend are unanimously agreed to have shattered artistic boundaries. Their bold, vibrant designs are as radically different from orthodox quilt patterns as Picasso was from anyone who preceded him.” —The Times of London

“This is a show that everyone who cares about art in this country will find something to feel good about, because the women quilters of Gee’s Bend have somehow managed to touch in their work practically everything that is really important about life and art. . . . The quilts . . . inevitably invite comparison with the great abstract-expressionist canvases of Pollack, Rothko, Still, and others. Their brilliant, slashing patterns and startling color harmonies provoke the kind of shiver of visual excitement that one imagines adventurous early viewers of the New York School must have felt.” —Baltimore Sun

Other venues: Indianapolis Museum of Art, October 8 – December 31, 2006
Orlando Museum of Art, January 28 – May 15, 2007
The Walters Art Museum, Baltimore MD, June 16 – August 26, 2007
Tacoma Art Museum, September 22 – December 9, 2007
The Speed Art Museum, Louisville KY, January 2 – March 23, 2008
Denver Museum of Art, April 13 – July 6, 2008
Philadelphia Museum of Art, September 14 – December 14, 2008