News & Events

January 4, 2019

In the US, authors, musicians, actors, and others in the creative industries have royalties and residuals that reward their enduring stake in the redistribution of their intellectual property, when properly enforced. Yet while visual artists are entitled to royalties on commercial reproduction, there is currently little to no legal recourse for them to benefit from the resale of their work.

November 24, 2018

An assemblage with political overtones and undertones of history – a show that reaffirms the truth that black lives matter. This exhibition presented thirty paintings, sculptures, drawings and quilts by self-taught contemporary African-American artists to celebrate the 2014 gift to The Metropolitan Museum of Art of works of art from the Souls Grown Deep Foundation. The artists represented by this generous donation all hail from the American South.

November 21, 2018

The Atlanta-based group boasts work by roughly 160 artists of colour and a string of deals with major US museums hints at a vital shift in the art world.

 

Through the 1960s and 1970s, Purvis Young, a self-taught artist from Miami, roamed the inner city streets of Overtown, scouring for cardboard, wooden crates and secondhand doors to use as canvas for his expressive paintings. He learned the chops of art history – from Rembrandt to Van Gogh – through library books. He was often called an outsider artist and would paint trains, trucks and railroads to suggest an escape from inner city life, while his pieces told visual tales of racism, poverty and hypocrisy.