SOULS GROWN DEEP FOUNDATION
Souls Grown Deep Foundation is dedicated to documenting, preserving, and promoting the contributions of African American artists from the South, and the cultural traditions in which they are rooted. We advance our mission by advocating the contributions of these artists in the canon of American art history, accomplished through collection transfers, scholarship, exhibitions, education, public programs, and publications.
The Foundation derives its name from a 1921 poem by Langston Hughes (1902-67) titled The Negro Speaks of Rivers, the last line of which is "My soul has grown deep like the rivers."
A vital resource for this genre, the Foundation’s holdings are extensive, with over 1,100 works by more than 160 artists, two-thirds of whom are women. Among the artists represented are Thornton Dial, Lonnie Holley, Mary T. Smith, Joe Minter, Nellie Mae Rowe, Purvis Young, Emmer Sewell, Ronald Lockett, Joe Light, and the quiltmakers of Gee’s Bend. The Foundation’s collection is an essential resource for students, scholars, and the public alike.
Ranging from large-scale assemblages to works on paper, the Foundation is particularly strong in works dating from the death of Martin Luther King, Jr. to the end of the twentieth century. The roots of these works can be traced to slave cemeteries and secluded woods. Following the Civil War, when the southern agrarian economy collapsed and rural African American sharecroppers and tenant farmers were forced to migrate for survival to major population centers—particularly in and around Birmingham, Alabama, where iron and steel production created jobs—a new and more public language of quilts, funerary, and yard arts arose. Beyond painting, sculpture, assemblage, drawing, and textile-making, this tradition also included music, dance, oral literature, informal theater, culinary arts, and more. Much like jazz musicians, the artists of this tradition reflect the rich, symbolic world of the black rural South through highly charged works that address a wide range of revelatory social and political subjects.
In 2014 the Souls Grown Deep Foundation began a multi-year program to transfer the majority of works in its care to the permanent collections of leading American and international art museums. To date, this program has led to the acquisition of over 350 works by more than 100 artists from the Foundation’s collection by museums including The Metropolitan Museum of Art, the Fine Arts Museums of San Francisco, the High Museum of Art, the Philadelphia Museum of Art, the New Orleans Museum of Art, the Virginia Museum of Fine Arts, the Museum of Fine Arts, Boston, the Brooklyn Museum, The Morgan Library & Museum, the Dallas Museum of Art, The Phillips Collection, the Minneapolis Institute of Art, the Ackland Museum of Art, the Spelman College Museum of Fine Art, and Clark Atlanta University Art Museum, as well as multiple major exhibitions and publications. The Foundation anticipates facilitating acquisitions of hundreds more artworks by dozens of museums over the next several years.
In 2012, the Souls Grown Deep Foundation donated its archive of over 13,000 documentary photographs, videos, audio recordings, oral histories, interviews and other material related to the artists in the Souls Grown Deep Collection to the Southern Folklife Collection at the University of North Carolina, Chapel Hill.
2018 – 2020 STRATEGIC PLAN
In June of 2018, the Board of Trustees of the Souls Grown Deep Foundation approved a framework for the Foundation to expand its mission, including the adoption of a new three-year strategic plan. Central to the plan is the continued transfer of works from the Foundation’s collection to leading art museums across the United States. The Foundation will also continue its advocacy of artists in its collection by supporting research, educational, and scholarly initiatives.
The Foundation is expanding into a new dimension of activity to help realize positive economic and social outcomes for the artists in its collection and their communities. Recognizing that the historic marginalization of these artists is inextricably linked to broader racial, political, and socio-economic disenfranchisement—the very themes of much of their art—the Foundation will seek to focus attention on and address persistent socio-economic challenges in the communities that gave rise to this art.
Our Goals in Grant-Making
The Foundation has limited funds for grant-making. The resources we have are directed to improving the social, cultural, and economic circumstances of communities giving rise to the artists represented in our Collection, and to supporting other institutions with common goals. We look to help expand effective programs or facilitate new strategic partnerships and collaborations that have the possibility of becoming sustainable.
We identify high-impact organizations that align with our interests and invite them to submit a proposal. Additionally, the Foundation reserves a portion of its funds to be allocated at the discretion of the trustees. Souls Grown Deep does not encourage unsolicited proposals.
To be eligible for funding, applicants must be non-profit organizations that are organized and operated for charitable purposes and recognized by the IRS as tax-exempt public charities under Sections 501(c)(3) and 509(a) of the Internal Revenue Code. Public educational institutions without an IRS determination letter may also be eligible to receive grants. We do not fund: individuals, government agencies, for-profit businesses, private foundations, organizations that do not have a Federal Tax ID number, or Project Related Investments (PRIs).
All invited proposals are reviewed by Foundation staff. Staff may contact applicants with questions and request more information before presenting a summary of each proposal and a funding recommendation to the board of trustees. Proposals are assessed based on:
- Their alignment with the Foundation’s funding priorities;
- The organization’s capacity to carry out the expected activities;
- How effectively the proposed activities can address an expressed need in the community; and
- The likelihood of achieving measurable, positive impact.
The Souls Grown Deep Foundation (SGDF) is dedicated to the meticulous observation of artists' rights, from legal title to intellectual property rights in partnership with the Artists Rights Society (ARS), and advancing the interests of the artists and their heirs and assigns represented in the Foundation's collection. To date, SGDF has assisted 75 artists and estates of artists with work in the SGDF collection to gain representation through ARS.
For information on image licensing works in the SGDF collection, please contact Janet Hicks at Artists Rights Society.
THE FOUNDATION'S ORIGINS
Souls Grown Deep Foundation was founded in 2010, but traces its roots to the mid-1980s, when William S. Arnett, an art historian and collector, began to collect the artworks of largely undiscovered African American artists across nine southeastern states. Developed outside of the structure of schools, galleries, and museums, these rich yet largely unknown African American visual art traditions present a distinct post–Civil Rights phenomenon that offers powerful insight and fresh perspectives into the most compelling political and social issues of our time. The majority of the works and ephemeral documents held by the Foundation were compiled by Arnett and his sons over three decades, with the goal of creating a collection that could serve as a record and legacy of this culture. By the mid-1990s Arnett’s efforts culminated in an ambitious survey exhibition of this tradition titled Souls Grown Deep: African American Vernacular Art of the South, presented in conjunction with the 1996 Olympic Games in Atlanta and in partnership with the City of Atlanta and the Michael C. Carlos Museum of Emory University. The accompanying two-volume publication remains the most in-depth examination of the movement.
Several exhibitions in recent years have drawn works primarily from the collection today in the care of the Souls Grown Deep Foundation, including The Quilts of Gee’s Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and four other museums; Thornton Dial in the 21st Century at the Museum of Fine Arts, Houston in 2006; Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to the New Orleans Museum of Art, the Mint Museum, and the High Museum of Art; and Fever Within: The Art of Ronald Lockett, organized by the Ackland Museum of Art in 2016, which traveled to the American Folk Art Museum and the High Museum of Art.